Wedding Photographer in Portugal: photo session and portrait

Wedding couple, after the wedding ceremony in Quinta de Nossa Senhora da Serra, in the floodplain of Sintra, in the session with the wedding photographer in Sintra.

THE BRIDE AND GROOM AND THE PORTRAITISTS

Wedding couple, after the wedding ceremony in Quinta de Nossa Senhora da Serra, in the floodplain of Sintra, in the session with the wedding photographer in Sintra.

Some photos from the sessions with the bride and groom during the wedding day


• Pode ler este artigo em Português. 

Entering Wedding Photography

Couple posing for wedding photographer amidst square frame in Almada.

I have written several times about my great commitment — and the pleasure I take — in photographing couples on their wedding day. I even think that this enthusiasm for photographing people, especially people experiencing something truly special, was one of the main reasons that led me into wedding photography.

I have also written about my lack of attraction to landscape photography. Curiously, however, it is precisely through landscape photography that I find one of the great lessons needed by anyone who wants to build their photography around portraiture.

It is through landscape photography that we learn to understand the larger dimensions of an image: composition, balance, harmony, the proportion between shadows and light, volumes, vanishing points, and the relationship between all the elements within the frame.

All those things that make a photograph — or a painting — immediately appealing to our eyes, those first and great testers of pictorial sensations.

Close-ups that reveal emotion in wedding photography

The newlywed couple laughs a lot at the photo session.

People are also landscapes in themselves. And they become even more complex when photographed as a group.

Just as we need to discover the right angle from which to photograph a landscape, we also have to find the right point of view when a couple stands in front of the lens on their wedding day: dressed for the occasion, emotionally exposed, in love, and surrounded by the place they have chosen to celebrate everything they are experiencing.

As a wedding photographer, I rediscover there an old pleasure: photographing people. And, above all, photographing people while they are experiencing something truly special.

My main inspiration continues to be cinema. On one hand, the melodramas of the 1930s and 1940s, which give me a certain nostalgia for romanticism — something I find in marriage in its purest form. On the other hand, contemporary cinema, with its close-ups that bring us closer to the characters and reveal what happens between them.

That is the combination I try to bring to wedding photography: integrating the bride and groom into their surroundings with a certain classicism of composition while, at the same time, moving closer to them when the emotion calls for a tighter frame.

Turning glances and affection into photographs

Bride and groom in a room at Convento do Espinheiro in Évora.

What I want is for the bride and groom to feel exactly as they feel on that day.

To surrender to their glances, their affection, and their closeness. Not to worry about the photograph, but to be absorbed in what they are experiencing.

And then to observe how their bodies write themselves in front of me: the way they move closer, the way they touch, the way they look at each other, the way they occupy that space together.

It is in that moment that the lenses, with their magic over the sensor, can transform all of this into photographs that remain.

And that is what leaves a wedding photographer satisfied.

Portraiture as memory during the wedding photography session with the bride and groom

The bride and groom, after the wedding ceremony, are seated at the bar at Convento Espinheiro.

Wedding photography is a record of important moments, but it is also a way of preserving the essence of a unique day.

As a wedding photographer, I have the immense privilege of transforming the feelings and emotions experienced by the bride and groom into images that, many years later, can bring back something of the intensity of that day.

Portraiture has a fundamental role here.

Throughout my experience, the search for the best composition and the best way to convey what makes each couple unique has become one of my greatest motivations. I am not simply looking for a beautifully photographed face. I am looking for the relationship between two people and the way that relationship reveals itself in front of the camera.

That is why, during a portrait session with the bride and groom, several elements work together:

  • The couple’s personality, which gives meaning to the portrait.
  • Composition, which brings together people, space, volumes and lines.
  • Light, which shapes their faces and helps create the atmosphere of the image.
  • The surroundings, which provide context and become part of the story.
  • Observation and patience, essential for waiting for the genuine gesture or glance.

A wedding portrait is therefore not limited to capturing the faces of the bride and groom. It is a composition in which the setting, lighting, bodies, and expressions come together to tell a story.

And there is always a right moment to press the shutter.

You simply have to know how to wait for it.

Close-ups, great emotions: photographs that speak for themselves

Bride leaning against groom, black hat in hand, under golden light in a room at Convento do Espinheiro in Évora.

On a wedding day, emotions are close to the surface. The role of the wedding photographer is not simply to produce a beautiful photograph, but to make the image preserve something of what happened in that particular instant.

By observing the bride and groom, their chemistry and the way they interact, I also look for the closest frames. Those in which a glance, a touch, a smile, or an expression almost fills the entire photograph.

It is often in these close-ups that emotion becomes most visible.

Cinema is fundamental to this way of seeing. The melodramas of the 1930s and 1940s taught me to appreciate a certain emotional intensity and a particular way of bringing the camera closer to its characters. Contemporary cinema, in turn, continues to show me how a frame can say a great deal without having to explain everything.

In wedding photography, I look for that same strength.

A glance between the bride and groom can say more than many words. An embrace can reveal the security of a relationship. An apparently insignificant gesture can become, years later, one of the most important photographs of the day.

That is why I love close-ups: because they force us to stay close to the emotion.

Transforming emotions into photographs that endure

Sitting on a motorcycle, the bride and groom celebrate their wedding.

One of the great challenges of wedding photography, especially when photographing portraits of the bride and groom, is transforming an emotion that exists in that particular moment into something visually powerful and capable of surviving time.

My mission as a wedding photographer is not simply to record what happened. It is to try to create images that continue to make sense when the wedding day has become a distant memory.

A glance exchanged between the bride and groom, a tight embrace, or a sincere smile may happen in a fraction of a second. Photography, however, allows that instant to remain available to be seen and felt many years later.

The memories of a wedding do not live only in the main event.

They are in the details, the small gestures, the people, the spaces and the relationships that unfold throughout the day. They are also in the wedding guests, in the way they take part in the celebration and in everything that happens between the more obvious moments.

For a wedding photographer, each of these elements can become part of a portrait and of the visual narrative of the day.

It is this possibility of transforming fleeting moments into memories that continues to make wedding photography so special to me.


Conclusion: the power of portraiture in wedding photography

Bride and groom facing each other, with a blurred background of garden plants at Quinta do Roseiral.

Wedding photography is a visual testimony of the emotional journey of the bride and groom. Portraiture is one of the most powerful ways of preserving that testimony because it brings us closer to people and to what they are feeling.

Through portraiture, a wedding photographer can create images that go beyond the instant in which they were made. Photographs that allow the bride and groom to rediscover their glances, gestures, and affection long after the day itself has ended.

Each image is a fragment of that couple’s story.

A visual memory that can be revisited over the years and, one day, shared with future generations.

That sense of permanence is what I look for whenever I photograph a wedding.


Shall we spend your wedding day together?

Bride and groom in the garden of Quinta do Roseiral in a photo session.

If you choose me to photograph your wedding day, I want to be there not only to record what happens, but to look for the glances, gestures, affection, and all those moments that make your story uniquely yours.

Let’s create photographs filled with emotion, personality, and memory — images you can return to throughout your life.



  • The photographs in this article were taken in the Lisbon, Sintra, Almada, Fátima, and Alentejo regions during the wedding photoshoot with the couple.

Bride sitting and groom very close to her in a small grove near Fátima.

Bride and groom with their daughter playing in the background after the wedding in Fátima.

Groom and bride look at each other in black and white photograph in Sintra.

Bride leaning against the groom bathed in the Sintra sun, at Quinta Nossa Senhora da Serra.

Leaves and branches of a tree frame the newlywed couple.

Wedding couple sitting in a wicker armchair at Quinta do Vale in Loures.

Bride, with bunch of flowers in hand, hugs her husband in the session with the wedding photographer.

Inside the woods in the Quinta do Vale garden, the newlyweds date after being married.

Portrait of the newlywed couple in the garden of Quinta Serra in Sintra.

Inside the woods of Quinta da Serra in Sintra, the bride and groom pose.

The bride and groom, after the wedding ceremony, through the frame of a window in Lisbon.

Grooms, with exotic plants behind, on the steps of the Palácio da Cruz Vermelha.

The bride and groom, during the photo session in Lisbon, say hello to their guests.

The wedding couple in a photo session, in the garden of Convento do Espinheiro.

Bride sitting on the benches by the pool at Convento do Espinheiro, in Évora, with the bouquet in her hand.

Groom, affectionately, blows into his wife's eyes at the photo session at Convento do Espinheiro.

By Fernando Colaço

Fernando Colaço, wedding photographer in Portugal. Natural, discreet and documentary. The photos will tell the story.